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Alaric McAusland reveals his crusading nature which started when he was very young.
The South Australian Film Corporation launches another low budget feature initiative as it glocalises content.
Ghastly though the general numbers are, Rams has beaten the COVID hoodoo and is doing well, while Dirt Music hangs in.
Never Too Late is packed with a popular local cast. The box office will be a litmus test for a familiar kind of comedy in a very traditional trope.
The feature film doomsayers are forced to retreat in confusion once again as lower budget pearlers lock horns with modestly financed Austra-Hollywood gems.
The My Cinema My Film Festival is a heart starter for ailing indy cinemas, with hopeful signs for post-Covid changes.
This clever coven of Australian filmmakers knows spooky, scary and stylish when they see it. Briony Kidd, Isabel Peppard, Donna McRae, Katrina Irawati Graham and Megan Riakos send us their recommendations.
Our fortnightly roundup of news, views and chats with fascinating people. Some very interesting deals being done. Cinemas are suffering, box office is down but we still found stacks of films to review.
A peace sign from Martin Luther King, Jr. becomes a rude gesture; dolphins swim in Venice’s Grand Canal; and crocodiles roam the streets of flooded Townsville – all manipulated images posted as truth.
The interactive medium can engage players in profound questions about grief, mortality, and what it means to move on.
The cinema sector is lining up to pressure the Victorian Government to let them open up, since they are at the very end of the recovery list.
An excellent cast and surprising scripting make Jeremy Sims' remake of the Icelandic comedy a rare pleasure in Australian cinema, says Anthony Morris.
Twenty-two projects, a million dollars and a surge of ghost stories will keep the development wheels churning to build the national slate for 2021.
The pandemic experience shows we can’t afford to ignore this problem any longer, argues multimedia producer Mary Tran. She offers ideas for change, in this piece supported by Diversity in Australian Media.
Opinions & Analysis
From classic horror to familiar dystopias, these are the films and show that are scaring the office silly this Halloween.
Statistics bear out the value of sentiment as the emotive power of diversity for the sector turns out to match the preferences of audiences.
Lorien Gugich will bring six years of partnered Twitch streaming, experience in production and community management, and a passion for inclusivity to the studio she's founding.
With her occult paintings and kinky sex life, artist Rosaleen Norton caused scandal in 1950s Sydney. We talk to the director of a new documentary celebrating her life.
Packed with New Zealand comedic talent, this character-driven story about impending parenthood is genuinely funny, writes Mel Campbell.
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