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Tracey Vieira's future after Screen Queensland is now assured as she joins the state's funkiest prodco with the mostest focus on the global market.
Recuts are not just about director's versions. They have become a routine way of evolving the essence of a project.
The recent release of yet another extended cut of Apocalypse Now puts the vexed idea of the director's cut back onto the cultural agenda.
Opinions & Analysis
The 2019 Australian script writing opportunity kicks off again, linking Black List, Warner Bros and WA company Veerhuis.
Other than Once Upon a Time In Hollywood, the filmscape is full of yes-but films which disappoint, or terrify, or simply implode into cliches. It helps to know which is which.
Videogames offer many opportunities for audio experts, but how do you crack into this evolving industry? Here are our 6 key steps to get you started.
Writers trying to open a door to Hollywood are offered support systems in many different shapes and sizes. Here's one which comes with a clear rationale.
The Babadook director returns with a different kind of horror: an essential film that gives voice to female suffering.
Victoria lands Netflix’s Clickbait, Indigenous Jewellery Project holds survey exhibition, AGWA celebrates 40 years of brutalism, 2020 programs announced and more arts news this week.
Artists with disability believe it is their right to be reviewed in the same way as abled artists; that the narrative should come from the quality of their work, not their disability.
Irish eyes were smiling all over the audience of writers at the Australian Writers Guild's annual awards. And TV featured an Irish jack. While a Favourite McNamara comes from a storied Western Isle as well.
This television role is crucial – but strangely elusive. Darren Paul Fisher sheds some light on the secret life of showrunners.
Inspired by a trash voodoo myth, Glitch gives the Undead an unnerving Australian edge even as it keeps the secret of its finale.
Animation rules at the box office and limited release, while some Aussie productions are just hanging onto their screens.
The Sydney Theatre Company’s The Harp in the South sweeps up the big prizes in the Australian Writers Guild awards.
New leadership roles announced for ACCA, UTS Animal Logic, Sydney Design Week, Overland, SA Film Corp, among others.
As action goes, the Fallen series has shot, stabbed and belted its way into the hearts of cinema goers and fictional presidents but this time it's personal.
This gangster tale could have been a feminist favourite, but its stellar cast are let down by one-note character writing.
This is a highlights reel for the ages, with offerings of rare archival footage, comforting faves and a mobile world-first.
Phoebe Waller-Bridge's writing on Fleabag is as formally intriguing as it is emotionally complex.
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