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Disdainful of agencies, game for anything, addicted to genre, enthralled by risk, true indie filmmakers are hard to hunt and study. Until now, on the Gold Coast, disguised as simple business folk.
In two and a half years, Iris and Paul Anstey went from never having made a game, to having their dreamlike first title in PAX’s competitive indie showcase. How did they do it?
When you are not earning, a small amount of help can mean a lot. The screen and performing arts philanthropic funds are raising money with a unified approach.
Banijay reshapes Endemol Shine Australia without its swashbuckling co-CEOs.
National Young Writers Festival is going online from 1-4 October, and their program delves deep into the possibilities that digital delivery offers.
Here's a rundown of Jobkeeper 2.0, and what the changes to the program might mean for sole traders.
Highly skilled and experienced people in the screen industry still feel reticent to promote themselves. Publicist, strategist and talent manager Karen Eck offers good advice.
After all the COVID horrors, China turns out to have the most productive market for big screen movies.
As Tenet fails to bring hope, the safest bet for studios is to combine theatrical and streaming production in a bet each way which started with television.
Actor Sarah Snook and writer Tony McNamara were our sentimental favourites for the night, but the world is a cruel place and everyone is a pawn in the streaming publicity game anyway. Sniff.
A film screening, a follow-up in-depth conversation and a masterclass make for much (remotely experienced) fun.
Rupert Murdoch gets three episodes of this BBC documentary to show us why we are like we are. We won't be able to take our eyes away.
Mulan director Niki Caro meets cinematographer Mandy Walker in a Zoom call that puts us in the presence of greatness.
Through protagonist Mae, videogame Night in the Woods asks: what will the future hold, if we can’t possibly go back to the way things were before?
Opinions & Analysis
As one of the few women to be accredited by the Australian Cinematographers Society, she's working hard to advocate for the health and status of the whole profession.
Cinematographer Greig Fraser's Emmy for The Mandalorian pales in comparison to his real achievement. As the co-producer who made The Volume practical, he has probably fundamentally changed the medium.
This month the office reflects on productions that star the work of brilliant women, both on and off-screen.
Screening 80 series and giving 25 awards, as well as a live pitch competition, this fest surveys the local and international web series landscape.
For PAX online 2020, two reps from Film Vic sat down with devs from Untitled Goose Game, Frog Detective and Dead Static Drive to talk all things games funding.
You are doing it wrong says Steve Jaggi as he builds a solid company in defiance of conventional wisdom. He is becoming the Young Adult king of Australian production.
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