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Showing all news
02 May 2019
Looks awfully like a television methodology.
Around The Web
The Cannes Film Festival is a strange beast, buried in sidebars with prizes of their own. Screen Australia provides a rundown and we ask some supplementary questions.
In a culture full of clashing politics, this warm inclusive homecoming comedy feels radical, says Mel Campbell.
Scott Seddon, President of Independent Cinemas Australia puts the boot into some boogie men. Cinema is growing. Streaming is not killing it. Skillful exhibitors are prospering - if they are versatile.
Opinions & Analysis
A Samstag commission will see the artists who gave us feral mashup 'Terror Nullius' presenting new work 'Netsploits' in Adelaide next year.
Sydney Film Festival stays close to home for its opening night in 2019.
We have until 10 May to say what’s needed in the Australia Council's next Strategic Plan so let's embolden them.
With a botched NBN, can the screen sector do anything to salvage the major distribution system of the future? Laurie Patton calls for an industry campaign.
Avengers scythes across the landscape like a steampunk nightmare, but small films stand tall and pull through.
Cinematographer Meg White has turned her anguish into art. She hopes that talking more openly about mental health in the workplace will bring relief for others.
26 Apr 2019
How film preferences pale-skilled peoples, and how the problem did not go away with digital. Where else can you find an actual racist piece of technology?
Big in scale and emotion, this eagerly awaited sequel to Infinity War packs a sizeable (but safe) punch.
To watch anything in the cinema at the moment you have to push your way past Avengers: Endgame. How did it take over? What else is around?
Specialist internation film fests can be uniquely wonderful. Fest 2019 at Espinho in Portugal focuses on emerging filmmakers and has added a book fair as well.
Sebastián Lelo's remake of his 2013 film is lighter, funnier and more subtle in its depiction of a woman's mid-life search for love.
25 Apr 2019
International creatives are polled on their perception of the changes to the form created by the international streaming titans.
Australian auteurs relish Tropic Gothic as it confronts flesh, memory and the blurred promises of sexuality. Adrian Martin examines Celeste and the work of Ben Hackworth.
24 Apr 2019
Academy rules change but Netflix is safe as long as it runs a film in a cinema in the US at least a day before streaming. Keating would say that is like being flogged with a wet lettuce.
The long wait for competitors is almost over. The ADG is selling tickets to the awards which are unveiled on Monday 6 May in Sydney. We discover an eerie co-incidence.
Deadwood broke through into the modern streaming approach to heroism, bad dudes, casual violence and grotesque squalor. It is back for one last time.
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