Jini Maxwell

Jini Maxwell is a curator at ACMI, and an award-winning videogame journalist. They curated ‘Honk: Untitled Goose Exhibition,’ co-curate Gay24, a monthly film night showcasing rare, radical and archival queer films. Jini is currently co-curating a major videogame exhibition at ACMI.

Jini Maxwell's Latest Articles

Features

Box Office: Who's Drawing Crowds During The Season of the Witch?

Bad guys are up on top this week in the Aussie box office, but limited release tells a different story.

News

This Week At The Box Office: Who gets the last laugh?

With the school holidays behind us, it looks like cinemagoers are done with the cartoons and ready for some good…

Opinions & Analysis

Facebook serves local news with a side of Big Data

Following the damning findings of the Digital Platform Inquiry, Facebook is investing in local news media. This intervention could do…

Features

Good Clean Fun: Going Sober at Games Week

In an industry with a heavy drinking culture, what does a great alcohol-free event look like?

News

Box Office: Who runs the world? (Horse) Girls!

What better way to celebrate school holidays than some spooky new flicks, and an Aussie number one straight out of…

News

This week at the box office: Does ‘Good Boys’ go bad?

School holidays are here, with new offerings for children and man-children alike pushing Australian features out of the charts.

News

What's streaming this spooky season?

A quick look at the shows coming to Stan, Netflix and Disney+ in the spooky month of October.

It's dangerous to go alone; take this. Image courtesy of Accessibility Unlocked. 
Features

Bringing accessibility into play in the videogame industry

From careers to controllers, how are game developers ensuring that their work, and their industry, are anyone's game?

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TV: More style than '#Content'?

'Content' is ABC's latest comedy project, all told via mobile interface. Is this innovative or just gimmicky?

News

Downton domination this week at the box office

This week the box office sees old favourites – and old fears – re-emerging to draw out the crowds.

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