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Writing for the boxed set
Television writing is sometimes seen as a poor cousin to book writing. But the present surge in televisual storytelling makes…
ADG pushes for 50:50 gender deal
The ADG adds a useful voice to the surge of support for an attack on the industry gender disparity. 50:50…
Box Office: 26 October 2015 delivers the ten mill to an odd ball of fluff
Oddball breaks through.
Screen Forever: the buyers to meet
Australian producers have the opportunity to hear first hand from 21 leading local and international Development Executives, Commissioning Editors, Programmers…
NFSA Restores: Classics back on the big screen
Classics deserve to be experienced on the big screen. The National Film and Sound Archive of Australia presents NFSA Restores…
We Are Many
There's no shortage of passion in this fast-paced, far-ranging documentary's account of the global opposition to the Iraq war.
Carol
Thanks to its director and stars, Patricia Highsmith’s 1952 lesbian romance novel becomes a textured and tender cinematic vision.
The money is outside your silo
How do traditional arts institutions make the most of government creative industries policies?
Screen Forever 2015: on the cusp of change
Now that the Screen Forever 2015 program is now available online, conference director Peter Herbert reflects on the overall shape.
Neon Bull
Set amidst Brazil's rodeo scene, Neon Bull trades in rough, raw perception while simultaneously serving up resonant filmic poetry.