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The latest and maybe the best reinvention of the old Chinese Monkey legend from The Journey to the West comes from Australia, with New Zealand and Netflix in close attendance.
Richard Moore, former Head of Screen Culture at Screen Queensland, explores the collapse of a broad-based international film festival in Brisbane.
Create NSW is hitting the road, pulling up a chair and sharing a cuppa with artists and arts workers, to get to the heart of matters that impact regional arts practice.
In her film Cameraperson, Kirsten Johnson confronts the sequences that challenge her understanding of her craft, her morality and the human condition.
It’s your last chance for this weekend’s INTRO TO VR in Sydney, WRITING FOR TV (10 weeks, online) starting next week, and INTERNATIONAL MARKET STRATEGY in Melbourne next Thursday, presented by Screen Producers Australia (SPA) in conjunction with AFTRS.
Arts organisations are ‘snow blind’ with demographic data that fails to explain what really makes audiences buy tickets. There is a smarter alternative.
Look carefully and you will find some powerful Australian indy films staking out a strictly limited release. And others that are hanging in.
Arts organisations will face limitations on the use of international talent under changes to visa laws.
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The averages are the same but the hurt and horror is much greater as pics crater or reach for the stars. Ah, Ben Hurled...
Warners own takedown company tells Youtube to remove Warners own stuff because piracy. Heh.
Best US TV series ever? Deadwood. How do we know? Here is the answer.
UK writer assembles the creative output of Shaun Tan, revealing how little attention he gets in his native land. Us.
Considering the slippery question of truth in nature docs with a touching degree of affection.
Andrew Bolt has colourful version of ABC's internal discussions about him. He must have a giant transparent telescope.
'Although women account for two-thirds of Australia’s authors, a survey has found that almost every publication analysed reviewed more men than women last year.'
Adelaide-based producer Gena Ashwell was today announced as the inaugural recipient of Placement L.A., an annual professional
Lord David Puttnam heads an impressive international jury for the 10th Asia Pacific Screen Awards.
MIFF Accelerator, the film director professional development program held during the Melbourne International Film Festival (MIFF), has concluded its13th edition by welcoming into its glittering alumni some 29 new directors – with more than 50% of them female.
From 1650 entrants, all shot on a smartphone, the Get Reel Festival has chosen its winners.
Industry: Film / TV / Digital
Classification: Production & Technical
Iris Van Zantop
Luis Felipe Ferra
Jimena Doval Clarke
Classification: Business Development
Dr Richard Jones
New South Wales
SAE is the world's leading educator in creative media industries. Established in 1976 we have 53 campuses in 27 countries offering certificates, diplomas and degrees.Our students get practical, hands-on training with experienced and dedicated teacher
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