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The current campaign about power, abuse and behaviour on set is a great trigger to get the industry house in order. So, seminars..
A deal with New Regency symbolises the chance of a breakout to larger projects for See-Saw, which has always picked its partners extremely carefully.
Australians do well at Berlin, and the first two names have been confirmed, with more to come. Unless something has gone dreadfully wrong.
Lexus competition, Swinging Safari, The Shape of Water, Sweet Country, That's Not My Dog - diversity takes over as the grown-ups regress.
There's a lot more to this year's figures than the lightsaber menace, including a quick thought on gay films in Australia.
Only one man keeps enough data to tell the real truth about overseas Australian releases each year. Antony I. Ginnane has the figures for 2017.
Eminent and detached Charles Darwin University legal expert Ken Parish reflects on the Craig McLachlan/Dr Blake industry dilemma.
Change is afoot in the Producer Documentary program at Screen Australia, and there could be some grinding of teeth.
Sundance runs the ultimate range of the Australian viewpoint, from a feminist Shakespeare to an Indigenous western.
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The averages are the same but the hurt and horror is much greater as pics crater or reach for the stars. Ah, Ben Hurled...
Warners own takedown company tells Youtube to remove Warners own stuff because piracy. Heh.
Best US TV series ever? Deadwood. How do we know? Here is the answer.
UK writer assembles the creative output of Shaun Tan, revealing how little attention he gets in his native land. Us.
Considering the slippery question of truth in nature docs with a touching degree of affection.
Andrew Bolt has colourful version of ABC's internal discussions about him. He must have a giant transparent telescope.
'Although women account for two-thirds of Australia’s authors, a survey has found that almost every publication analysed reviewed more men than women last year.'
Adelaide-based producer Gena Ashwell was today announced as the inaugural recipient of Placement L.A., an annual professional
Lord David Puttnam heads an impressive international jury for the 10th Asia Pacific Screen Awards.
MIFF Accelerator, the film director professional development program held during the Melbourne International Film Festival (MIFF), has concluded its13th edition by welcoming into its glittering alumni some 29 new directors – with more than 50% of them female.
From 1650 entrants, all shot on a smartphone, the Get Reel Festival has chosen its winners.
Industry: Film / TV / Digital
Classification: Production & Technical
Steve de Souza
Jimena Doval Clarke
3MBS is the premier broadcaster and supporter of fine music in Melbourne, supporting local music and musicians.
Film / TV / Digital
Representing the work of Melbourne-based writer/director Amiel Courtin-Wilson
AIDC is Australia's factual film and TV industry organisation. We provide service and support and industry advocacy. Since 1987 AIDC has grown from a biennial conference with a few guests into a significant yearly event on the international calendar
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