Television
Box Office: A red letter day for bad boys (and bad films)
Let's look at who's sitting pretty in the Aussie box office, as Oscars season starts to heat up.
Hotel Mumbai tops list of Australian overseas releases
The numbers never lie. Here is The Ginnane File, the definitive annual survey of the real performance of Australian films…
Berlin strand finds perfect pick in Australian opener
Want optimism? Crowd pleaser H is for Happiness is into Berlin, along with four really modest shorts.
Library collection inspires $20,000 Shortstacks short film prize
Filmmakers of all ages and levels of experience create with rare collection items when they enter the State Library of…
ICYMI: The week's top news in the arts
From the Melbourne Women in Film Festival, to protest art in Hong Kong, and survey exhibitions by George Gittoes, Carolyn…
Is Korea cinema's future powerhouse?
Smart policy, cultural pride and an Asian language puts Korean cinema at the heart of change. Here's an excellent potted…
Open Letter to the media on climate change denial
A group of writers calling themselves Writing for the Environment – organised by Alys Jackson, Leah Kaminsky and Gretchen Miller…
2019 screen sector by the numbers
2019 was an audience-friendly year for the screen sector. How did they respond?
How would an Oscar change your life? (from the archives)
Fame, fortune and your pick of the best projects – or over-exposure, exploitation and unhappiness? What happens when you win…
The Diver wins Flickerfest Australian grand prize
This could be a real local breakthrough moment for Michael Leonard and Jamie Helmer, who are known better overseas.