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Opinions & Analysis

Foxtel in for the kill in debate over Australian content quotas

At one minute to policy midnight, the screen sector resists cut to Foxtel obligations, wants to deal with streaming regs…

Opinions & Analysis

Who really owns Hollywood?

We analyse the quarterly and annual results of the biggest screen media production companies, and speculate on the motives of…

Opinions & Analysis

Media reform policy process brings sector conflicts to a head

The Green Papers sent to the Media Reform process make agreement impossible in a whirly whirly of change. This is…

Opinions & Analysis

Australian Ads are still made by white people, for white people

The industry needs to get comfortable with having uncomfortable conversations around race, says young Chinese-Australian producer Annie Thiele, offering suggestions…

Opinions & Analysis

A Deep Dive into Serial Killer TV

Quality or trash, Adrian Martin eats up the genre. From 'The Sons of Sam' to 'Manhunt', 'Zodiac' and 'The Serpent'…

Opinions & Analysis

Behind Amazon Prime's billion dollar buyout of MGM

Amazon's approach to streaming is not really about streaming at all. It's another part of the retail giant's multi-pronged approach…

Features

Why be a producer? Sue Maslin, Owen Johnston and Gus Howard tell all

The film industry runs on good producers, though it can be a daunting role. Screenhub talked to three veterans who…

Streaming Content

Teen Movies Are Growing Up, But It Isn't Easy

Adrian Martin considers his long love of the teen movie genre and its oddities, in the wake of Amy Poehler's…

Opinions & Analysis

The movement to build a better games industry in Australia

Unionisation continues to be a pointed topic in the videogame industry. In this op-ed, Tim Colwill from Game Workers Unite…

Opinions & Analysis

Learning to leave – new programs to engage creatives with the world

In response to a globalised industry, become a professional nomad. Here's two support measures which reflect fundamental changes in the…

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