News
Screen Forever: how producers can storm Hollywood, gently
Agents, showrunners, Australian diffidence, hammering on the Hollywood gates - here's how producers get a Californian tan.
Box Office: Enter the Grinch to clobber Creed 2.
Launching the silly season is The Grinch, proving we are all now desperate for a happy ending in a world…
AACTA 2018 - the names we gossiped about all year
Glendyn Ivin & Bruce Permazel have Best Direction awards so far, while Belinda Chayko and the team of David Tranter…
Bitches, Fierce Femmes and Molls: in praise of difficult screen women
Why are the best female characters bad girls and anti-heroes? Our report on the juiciest panel at Screen Forever.
What's on Screen: Sorry to Bother you and Widows
We are waiting for next week, but a couple of smaller pictures are well worth a visit, as the Australian…
The great Netflix Screen Forever reveal
Television expert Gus Howard attended the sessions about Netflix like an ace detective. Here is his dossier.
Gus Howard on Screen Forever 2018: 'Australian niche and mainstream is going wide and it pays.'
As a veteran producer, Gus Howard brought a trained, practical eye to Screen Forever 2018. Here are his general observations.
Small Screen Highlights: TV, Streaming and Podcasts
Women are fighting behind bars in Wentworth, wrestling in GLOW and swiping right on Tinder in a YouTube comedy. We…
Brief: making sense of turmoil in Chinese production market
The Chinese are pumping out new regulations about foreign workers and productions which far outstrip our domestic controls. Will it…
Bridget Ikin: interviewed in New Zealand
Bridget Ikin is a remarkable producer and we hope she inspires younger people in an industry caught between art and…