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Series Mania and 'Wrong Kind of Black'

New kinds of storytelling are possible with the web series format. But for producers like Andrea Denholm of Princess Pictures,…

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Rolf de Heer - a chasm of difference between an Australian story and an Australian storyteller

Rolf de Heer is a remarkable filmmaker, Dutch born, probing deeply Australian stories, honoured internationally. Here he talks about the…

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Iranian cinema - sharply modern, fed by tradition

In art cinema land, Iranian films can be arresting, varied, mischievous and enigmatic. An email interview provides a glimpse of…

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F###ing Adelaide - six eps from a fascinating company

Innovative Adelaide production company explores the temptations of episodes, and takes the audience from giggles to a gut wrenching finale.

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Dead Lucky: A Showrunner's Perspective

Do we have showrunners in Australian TV? Yes, says Drew Proffitt, co-creator of SBS series 'Dead Lucky', and it's the…

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What can the screen sector tell us about the future of work?

Screen Producers Australia tells Parliament about freelancing, creativity, the brain drain and the gig economy.

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One of many reasons we love the New Zealand screen sector

While many New Zealanders love splatter, others are born to be mild. But everyone loves a well-sharpened knife.

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What's On Screen: Jill Bilcock, The Second, Skyscraper and arthouse faves

Melburnians rush for festival tickets, lovely arthouse fare glows and Ella Havelka appears in a documentary streamed on SBS.

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How to deliver a winning pitch even if you're peeing your pants

Some tips on pitching - and a deep dive into death with the winner of Melbourne WebFest's Pitch iview Award,…

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MIFF 2018 launch unveils the Australian highlights

Melbourne filmgoers, provoked by the launch, are now frantically booking their films. It is first in, best anoraked, with sadness…

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