Features
Cannes 2013: An Australian perspective on the market
Part of any market is reading the entrails - was it a good market, a bad one, or somewhere in…
Blue Post: move to Sydney reflects slo-mo ferment in TV sector
The post-production market is segmented, specialised and very, very dependent on the quality of key staff. Blue Post's move into…
ACS: short film shoot wins Cinematographer of the Year
Veteran cinematographer Jonathan Rossiter ACS has done something unusual, getting named Australian Cinematographer of the Year for his work on…
Brief: Women Cinematographers Group Invites Membership
The Women’s Advisory Committee of the Australian Cinematographers Society held a meeting in Canberra at the National Film and Sound…
Ratings: Monday, 27th May 2013
Just like every other Monday night since Nine brought out the tonsil show.
Ratings: Tuesday, 28th May 2013
Kath and Kimderella down at 0.485m
Top Ten Trends at Cannes
Projecting its own obsession with materiality back into its auditoriums, Cannes Film Festival is chiefly concerned with artifice.
Women in Film: crunching the numbers is a good place to start
Former 20th Century Fox executive, producer of What Women Want, and once-supervising executive on a little movie called Buffy The…
Cannes 2013: au revoir and thanks for all the bling
As the tents are struck and the luxury yachts are hosed out, Julie Marlow talks deals, flicks and a rough…
Cannes 2013: looking closely at the winners
Victory by acclamation this year, with Blue Is The Warmest Color and, Inside LLewyn Davis, though Heli divided critics.