Features
Screen NSW: four projects for May 2013
Four projects, $974,000, said to trigger $25 million investment and 1,015 jobs for the State. See Pictures, Jungleboys, Matchbox and…
Cannes 2013: waiting with the pilgrims in the queue for the temple of dreams
What is it actually like to attend the Cannes Film Festival as a passionate Australian critic low on the French…
St Kilda Film Festival 2013: celebrate 30th year, plunge into history
Lisa French uses a potted personal history of the St Kilda Film Festival to explore the role of short film…
LeWeb: Capitalists go hippy, offer Australians discount for key conference
Reed Midem, which runs the MIP conferences, has plunged into the digital world with the purchase of LeWeb, a strand…
Cannes 2013: The Marlow Report - on sales, sales agents and the sad truths of funding
With just the right mix of pomp, perfidy, Prada and presales, Julie Marlow hunts the money stories through the madness…
Cannes Deals: Rocket to US, Australia gets Suite Francais
The business of the Cannes Film Festival is well under way, with Kim Mordaunt’s low budget feature The Rocket to…
Nashen Moodley previews the Sydney Film Festival
SFF Director Nashen Moodley talks Austria, festival firsts and the Living Archive that keeps on giving.
Hoyts Distribution: learns to say Oui, Ja and Thanks awfully to new owner
STUDIOCANAL is now the proud owner of Hoyts Distribution, down to the labels on the few remaining film cans.
SPAA: beaverooing with Canadian association, mutual benefit guaranteed
The Screen Producers' Association of Australia has signed a Memorandum of Understanding to co-operate with Canadian Media Production Association, its…
Cannes 2013: What Kind of Producer Are You?
For the third year, the Cannes Film Market held its Producers Workshop, aimed at new and new-ish producers attending the…