Features
MIPTV 2013: celeb power reaches antipodes via some odd connections
Hungry for interviews, focused on the Australians, our Hungarian ScreenHubber László Kriston kept colliding with the international fame machine. They…
MIPTV 2013: some digital moments from songs of joy to tales of directorial pain
The release of the Digital Emmy results at Cannes around MIPTV continues to emphasise how two distinct production communites are…
The End of Film: much, much more than the pretty pictures
Erika Addis, who teaches cinematography at AFTRS and is wonderfully thoughtful on the medium, uses her experience of education to…
MIPTV 2013: Endemol sees international potential in Aussie formats
Endemol President Tim Hincks explained to ScreenHub in Cannes how a small market for formats like Australia still plays a…
ICAA: virtual print fee agreement goes live for Australia and NZ
According to an email to members of the Independent Cinemas Association of Australia (ICAA), their long- awaited virtual print fee…
QPIX: Screen Resource Organisation takes up the challenge of anthology feature model
QPIX is running a new course designed to get a feature length student film into the cinemas. As part of…
MIPTV: Aussies win in Cannes, while SBS wins in Las Vegas
Hatch Entertainment and Alex Alexander have both picked up awards at MIPTV in Cannes, while Once Upon a Time in…
Brief: SA writers finally go berserk, in their own heads, of course
The SAFC held the public launch of its Digital360Lab, some time after the first weekend of nitty-gritty stuff for its…
Ratings: Thursday, 11th April 2013
Boing! Take out Nine's Tonsil exercise and everyone else bounces back, Seven to a narrow victory. But.. spooky spooky..
Riverbend: the true voice of media experience
Riverbend was a young woman blogging the war in Iraq from Baghdad. Silent after her escape to Syria, she is…