Features
Files can’t wait: the future of the National Film and Sound Archive
The NFSA has been conducting a fence-mending exercise with stakeholders after its recent restructure drew an angry reaction.
Jim Ballantine: Maya the Bee
Maya the Bee was completed just last week and has already sold theatrically to over 92 territories.
Mad Max: blasts into Comic-Con, eats two-headed lizard
Mad Max shakes fans to their toes, could reboot entire genre.
Peter and Michael Spierig: Predestination
Predestination, starring Ethan Hawke, is the Opening Night film at the Melbourne International Film Festival this year.
Backlot: becoming a teeny-weeny empire
As cinemas get smaller and smaller, some commercially savvy operators are setting up a micro-network.
Nadia Tass: The Flick at the film festival
Nadia Tass is presenting the play The Flick at the MIFF. The Pultizer prize winning play is about a cinema's…
Wendall Thomas: talking scripts
UCLA Screenwriting and Producing lecturer Wendall Thomas is returning to Melbourne with a new swag of script theory goodies.
Screen Australia: the axeman cometh, in detail
In a day of destruction and reinvention, Graeme Mason announced cuts and changes to Screen Australia.
ABC Rebrand: sassy, homely and new
Rebranding is a quick way to offend millions and a slow way to draw new audiences. The ABC has jumped…
Behren Schulz: after two years, Love is Now
The $2m privately financed production is currently shooting in the Hunter Valley.