Features
MIFF 2014: Mid point feast for Australian cinema tragics
MIFF is a festival, a market and an intensive development experience - and they all bubbled up together in the…
Secret City: naivity is the first casualty
Matchbox, Canberra, politics, two veteran journalists and a scripting process which is the opposite of precious.
Screen Australia: matter not splatter - the latest production round
Is this tranche more focused on 'what matters'? It certainly looks like fun, to the tune of 12 projects and…
Tracey Vieira: new CEO of Screen Queensland at MIFF 37 South
Tracey Vieira has taken the reins of a tempestuous organisation and is pushing forward with their Strategic Plan.
Stills Photography: Boland's world of action and adventure
What sells a film? Teaser and poster. Who does the poster? A whole gang, relying so often on a location…
Don Featherstone and Andrew Ogilvie: The War That Changed Us
The War That Changed Us looks at six different perspectives on the Australian wartime experience.
Graeme Mason: Screen Australia CEO at 37 South
Graeme Mason has been in the job for eight months now. What has he learned and what does is the…
Adrian Wootton: CEO of Film London and former director of BFI
Wootton discusses creative bravery, film bureaucracy and tax credits, as well as mavericks, spies and tough guys.
MIFF 2014: first night is a date with Predestiny
MIFF 2013 began with a European flurry of umbrellas and ended with an audience divided by Predestination. The fun has…
Felicity Packard: Anzac Girls
Producer and screenwriter Felicity Packard talks about the making of the ABC miniseries Anzac Girls.