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Features

Monica Penders: Locks of Love

The anthology Locks of Love gave eleven different ACT filmmaking teams the opportunity to participate in the making of a…

Features

Screen Queensland: Vieira muses on the vitality within

Not quite a shift from sharks to Shakespeare but Screen Queensland is experimenting with a writer led recovery.

Features

Felony: Joel Edgerton and Matthew Saville

Felony premiered as the Closing Night film at MIFF. Edgerton and Saville discuss the development and their working relationship.

Features

MIFF 2014: the carnival is over

Beneath the glums, Melbourne always claims a certain grandeur. That spirit surely lives on in MIFF. The scale is the…

Features

MIFF 2014: Critics Campus

With an immersive strand for emerging critics, MIFF 2014 stepped boldly into one of the most contentious areas of the…

Features

Stranger With My Face: Celia, Laos and Tasmanian Gothic

Behind the mask of small-island Tasmania, what savagery lurks, and how strangely is it nurtured and expressed?

Features

MIFF 2014: Mid point feast for Australian cinema tragics

MIFF is a festival, a market and an intensive development experience - and they all bubbled up together in the…

Features

Secret City: naivity is the first casualty

Matchbox, Canberra, politics, two veteran journalists and a scripting process which is the opposite of precious.

Features

Screen Australia: matter not splatter - the latest production round

Is this tranche more focused on 'what matters'? It certainly looks like fun, to the tune of 12 projects and…

Features

Tracey Vieira: new CEO of Screen Queensland at MIFF 37 South

Tracey Vieira has taken the reins of a tempestuous organisation and is pushing forward with their Strategic Plan.

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