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Showing all news in Opinions & Analysis
The public argument about the Martin Bryant project is very close to home for the screen sector. Should we be prejudged? Are some ideas beyond the pale?
Opinions & Analysis
As the publicity caravan moves on, we can sense the longer term influences which shaped this year's AACTA results.
Powerful white men will continue to dominate unless there’s a real revolution for diversity in our media, argues Cross-Cultural Consultant Tasneem Chopra OAM.
The pandemic experience shows we can’t afford to ignore this problem any longer, argues multimedia producer Mary Tran. She offers ideas for change, in this piece supported by Diversity in Australian Media.
Has the sector misjudged the budget impact? No, according to an objective account from Kristen Stevens.
As media cycles and social media mix the messages of our times, David Pledger argues that artists have a unique responsibility to telling the hard truths with stories that require reflection and depth.
"This too shall pass.' In a week of convulsive re-invention, we remember the basics.
The industry needs to get comfortable with having uncomfortable conversations around race, says young Chinese-Australian producer Annie Thiele, offering suggestions for positive change.
Through protagonist Mae, videogame Night in the Woods asks: what will the future hold, if we can’t possibly go back to the way things were before?
Hands off or interventionist? Maybe screen agencies are simply going with the flow as they campaign for diversity and new stories.
Cinemas have survived every horror for more than a century. But the threat of COVID-19 still sends a shivers up the collective industry spine.
Kalu Oji gives the perspective of an African-Australian film school graduate.
What can we tell from the current crop of Australian short films in festivals?
On the grounds that a film might make you masturbate at home and then do something evil, MIFF has withdrawn The Trouble With Being Born.
Having built their production company into an impressive conveyor of dreams, David Maher and David Taylor are getting ready to leave.
SPA pushes harder on export policy, which is a different can of hopes and worms.
To really change the arts, we need to change arts leadership. Travis de Vries thinks we should make bigger systemic changes.
When the NZ Doc Edge conference was stopped by COVID-19, the Industry Manager added one line to his email address: Sod you coronavirus, we're going digital!
One of the four regulatory approaches to television content is a new Australian Production Fund. Here is an argument in favour.
Strictly confined in a small Spanish village, Adrian Martin compiles an eclectic virus playlist, discovers Zoom, and argues for the role of the critic.
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