In the know? Seen a great show? Think you have a better idea?
Hit the contribute button now to share your story
Become a Student member
Become a screenhub member
Do you want to drive awareness of your event to an engaged audience?
Do you want access to a ticketing solution?
Now you can do both on screenhub.com.au
Showing all news in Reviews
Nick Robinson's latest environmental documentary puts the iMax screen to stunning use as it celebrates the Australian landscape.
A rich, detailed world of female friendship and a waning party vibe are key pleasures in Sophie Hyde's latest feature.
International stars Noomi Rapace and Yvonne Strahovski are the greatest assets in this Australian intimacy thriller, writes Adrian Martin.
The Babadook director returns with a different kind of horror: an essential film that gives voice to female suffering.
Inspired by a trash voodoo myth, Glitch gives the Undead an unnerving Australian edge even as it keeps the secret of its finale.
As action goes, the Fallen series has shot, stabbed and belted its way into the hearts of cinema goers and fictional presidents but this time it's personal.
This gangster tale could have been a feminist favourite, but its stellar cast are let down by one-note character writing.
Heperi Mita's directorial debut celebrates his mother's unsung legacy of bringing Indigenous stories to the screen.
Three exhibitions at Koorie Heritage Trust examine the art of cartography, Blak cinema, and contemporary adornment.
A surreal, visually arresting meditation on the future of our planet.
Funny, textured and nostalgic, Tarantino's ninth film gives us characters we want to hang out with, writes Anthony Morris.
Serge Ou's documentary unearths another unhinged history of a sub-genre that bypassed good taste, writes Glenn Dunks.
Van Grinsven's confident debut, an AFTRS Masters project and SFF audience award winner, is an evocative portrait of contemporary queerness delighting in its sexuality.
Originally billed as a slasher, the result is an unexpectedly joyful reflection on communal experience.
A quintet of shorts shines the horror lens on race relations and shouts the hearty arrival of new talent.
Escapist fun or oblivious contempt, Rachel Ward's film seems confused about its intentions, says Mel Campbell.
Kriv Stenders' focused scope makes this an intense viewing experience, writes Anthony Morris.
An elegant portrait of Adam Goodes was the best MIFF opener in years ahead of its national release.
The ABC brings 80s pulp crime classic to the small screen with larrikin energy but mixed results.
Powerful, topical and superbly produced, this is a rare event in Australian television history, writes Chris Boyd.
Advertise your event to a captive audience
Maximise the visibility and reach of your brand and events by advertising with ArtsHub. Spread the word to an engaged audience.
Become an Australian screen industry insider by joining screenhub - the one-stop-shop for the latest industry news, jobs, what’s on and much more.
Become a member this month and save 20% off your Annual ArtsHub Membership.
For less than $2.30 per week now is the best time to join Australia’s largest arts network.