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Showing all news in Reviews
In the age of #MeToo, Ivo van Hove’s adaptation of the Hollywood classic feels dated despite splendid performances.
Fighting a tide of respectful reviews, Adrian Martin finds much to loathe in this historical epic, including 'one of the worst directed action sequences in cinema history.'
Keanu Reeves brings soulful gravity to this consistently thrilling ballet of blood.
An unashamed farce, this female-led update of Dirty Rotten Scoundrels makes the most of Rebel Wilson's crass persona.
Bringing the video game of the same name to the screen, this all-ages adventure serves up anarchic fun.
An intriguing amalgam of arthouse and pop genre impulses, this French zombie film exemplifies a worldwide trend- with mixed results.
Netflix's Ted Bundy film conveys the superficial charm of the serial killer, but doesn't go much deeper.
Adrian Martin finds guilty pleasure and strange connections between three new shows: Now Apocalypse, The Act and Fosse/Verdon
Charlize Theron and Seth Rogen are a perfect match in a smart rom-com that's retro in all the right ways.
In a culture full of clashing politics, this warm inclusive homecoming comedy feels radical, says Mel Campbell.
Big in scale and emotion, this eagerly awaited sequel to Infinity War packs a sizeable (but safe) punch.
Sebastián Lelo's remake of his 2013 film is lighter, funnier and more subtle in its depiction of a woman's mid-life search for love.
Australian auteurs relish Tropic Gothic as it confronts flesh, memory and the blurred promises of sexuality. Adrian Martin examines Celeste and the work of Ben Hackworth.
He's new to Netflix but Lilley's latest comedy doesn't move far beyond poo jokes. Anthony Morris is not a fan.
Adrian Martin takes us into the cinematic joys and fumbles of Burning, and its icy cumulative drama created by ambiguity and unnerving doubt.
Updated with panache and hosted by horror maestro Jordan Peele, this version of the iconic series has been worth the wait, says Chris Boyd.
Rebooting this comic book hero proves an underdone, overblown slog.
Christian Petzold's stripped back melodrama takes not the slightest effort to recreate its World War II setting, yet it's all the more politically potent for that fact.
Tight, exciting and engrossing, this 8-part Amazon Prime series is superior in almost every way to the original movie, says Chris Boyd.
An ambitious and intoxicating trip into Tinseltown from the director who gave us 'It Follows'.
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