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Old People's Home for 4 Year Olds, How Australia Got its Mojo, The Politician, Workin Moms, Baby Ballroom, Defending Greta Thunberg, Mutazione and explaining Brexit.
Sara Richardson adds another twist to her development exec career as she moves back to Playmaker and a role between Sydney and LA owners.
Gillian Armstrong and Pearl Tan speak out on taking over the power positions in film, TV and theatre, plus how women can build sustainable careers.
Training videos are an industry staple. Here is an instructive comparison of different techniques starring a very, very angry cat. And an enema.
What better way to celebrate school holidays than some spooky new flicks, and an Aussie number one straight out of the gate?
Ride Like a Girl was quick out of the gates and clobbered its opposition.
New releases seems hell bent on twisting young minds with horror but refuge may be found in Ride Like a Girl and Buoyancy. Or deep space with Brad Pitt and deep time with Rembrandt.
'Buoyancy' is Australia's submission for Best International Feature at the 2020 Oscars. We talk to the director of this brutal and beautiful film.
Ride Like a Girl is hunting for broad audiences, and one of its best weapons is its steadfast celebration of our culture. Producer Richard Keddie is betting on it.
A quick look at the shows coming to Stan, Netflix and Disney+ in the spooky month of October.
School holidays are here, with new offerings for children and man-children alike pushing Australian features out of the charts.
The Beached Az web series is back, fronting a social media and documentary campaign about climate change.
Here are some cliche-cracking numbers to ponder. Australians are not really doing that well in foreign affections but the Canadians are.
On our radar this week: a feelgood doco, new format web series, quality chitchat podcasts and a really hard game.
How America's first Black billionaire turns the long tail of Australian projects into addictive drama (we hope) and provides a useful local streaming service.
Armed with the conclusions of a major government report, the screen sector gathers in Parliament House to impress the key players.
Production is underway on a six-part series about this very tricky time in our history, written and directed by Rake's Peter Duncan.
This week the box office sees old favourites – and old fears – re-emerging to draw out the crowds.
While the world screen industry wrestles with change, the Chinese sector is dancing with an octopus. And everyone is learning to waltz.
Sydney Film Festival marketing head leaves a few reflections as he jets off to his new job at the world's biggest queer film festival.
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