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Showing all news in Features
Have your say on AIDC 2018. Read the evidence about the health of feature docs in Australia. Should we despair?
Palace has rebooted BIFF. What does that mean? What does it tell us about the changing shape of festivals?
Creator Vince Gilligan's story of developing and writing Breaking Bad is a master class in story, character development, and the essence of drama. Oh, and the best writing room in television.
When 47% of video gamers in Australia are female, we must consider why so few women are employed to make the games they play.
We are betting the commercial FTA networks are learning that their assault on kids' TV is a bad mistake. Here is just one example.
The commercial FTA channels are now in the open as the stranglers of the Magic Pudding of kids' TV. Will they listen to the alternatives? Not so far...
The Cairnes brothers approach to horror is simple, assured, and gets to the guts of the matter. We dare you to take the same path.
We are not content producers, we are creative entrepreneurs, and The Dressmaker proves the point says Sue Maslin.
Eliminating the delay in access to episodes has made the HBO series part of shared media culture that transcends national boundaries.
Determined to transform the tough combo of business and arts, David Court and co open their own business school.
Before cameras even begin to roll, female characters suffer sexism in how they are described on the pages of screenplays. What can we do to improve this?
The Hive program which combines practicing artists and filmmakers and funds the result has returned from the bureaucratic grave. There is life in dark times.
ABC Production Manager Jenny Barty died suddenly, so close to retirement, leaving us to realise just how much she is loved.
Freed from the constraints of long form, creativity on the small screen is exploding with web series. Here's another excellent batch.
lldikó Enyedi, who won the top prize at the 2017 Sydney Film Festival, shared her creative process at a Screen Women master class.
Beneath the whimsy is forty years of smart business and a crusade to create the best stop motion in the world. With love and plasticine. And cheese.
Talent Camp requires a different approach to industry partnerships, and allows us to ask a basic question: why are we trying to engineer diversity?
We all want diverse stories to fit a diverse country. This is what we actually mean.
The master survey of the whole sector from the ABS is a fascinating mix of fortunes, which basically shows that the industry is hanging on despite difficult times.
Icon versus bureaucracy? The inevitable passage of time and tide? Paul Harris, Triple R and his loyal listeners face the end of an institution.
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