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Showing all news
From a spate of art fairs to early 2020 program announcements and ticket offers for upcoming Festivals, we bring you the highlights of this week's arts news.
Escapist fun or oblivious contempt, Rachel Ward's film seems confused about its intentions, says Mel Campbell.
The industry mourns Jenny Woods, whose expertise helped sustain Australian documentary filmmaking.
Kriv Stenders' focused scope makes this an intense viewing experience, writes Anthony Morris.
Audiences flocked back to Pearl Bay after a 20-year break, SBS tackled teen sexting and we sample some new reality, virtually.
30-years of shaping disability access programming for America's largest cultural institutions brings lessons for change and a strong read on today's shifting tides.
An elegant portrait of Adam Goodes was the best MIFF opener in years ahead of its national release.
Collecting important industry data, the survey must be completed by Friday to go in the running for a Screen Forever Pass.
The ABC brings 80s pulp crime classic to the small screen with larrikin energy but mixed results.
Films for kids and Big Boys dominate, but adults went for La Binoche and Soccer this weekend.
Film festivals are an endurance test but there are techniques to ensure you get the most out of the opportunity.
The perfect series: Turkish woman astronaut brings her children home from abroad to face their vampire father.
MIFF 2019 opens with The Australian Dream, the documentary centred around Adam Goodes which was the perfect film for our times.
Opinions & Analysis
Australian director Claire McCarthy is back with Ophelia while we discover that Fast and Furious: Hobbs and Shaw is so daft it is a delight.
Cinema's first female filmmaker was a prolific international talent, but remains unknown. This brisk entertaining documentary addresses that problem.
We take a look at this week's top news stories from around the galleries, on stage, the festival scene, wrapping screen news and Aussies making it abroad.
Australian director Claire McCarthy restores agency to the tragic heroine in this campy yet gorgeous adaptation, writes Mel Campbell.
Dwayne Johnson and Jason Statham strut their stuff in this ludicrously fun Diesel-free spinoff.
Powerful, topical and superbly produced, this is a rare event in Australian television history, writes Chris Boyd.
31 Jul 2019
Not drowning, evolving. In heavy seas Apple goes into the life jacket business, making its money from wearables like the watch and headphones.
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