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'It’s all very well to say "we need the ocean to live", but I bet most people on the street can’t tell you why. We wanted to tell a story of how the ocean creates all life on planet earth, and of connectivity between creatures.’
How sticky is your new digital COVID programming, and will it make that secondary pivot back into your core programming post pandemic.
Cinemas, distributors and producers come out of hibernation with precautions in place, while festivals soldier bravely online.
The revival of drive-ins counters isolation, drawing on the magic of cinema in the open air and pointing to a wider future for a struggling form of exhibition.
Gut Feeling, a multi-award-winning Australian web series, has launched the career of AFTRS alumna Hattie Archibald. She tells us how the journey unfolded.
The appearance of Ammonite at the Cannes Film Festival is just words on a piece of paper, but they cast a spell to break a viral curse.
Prepared to support local writers, this professional development program goes national and global, with guaranteed places for SA writers. Christy Dena brings her expertise and research.
While the sector is frantic to start shooting, it is also relishing the chance to develop projects. How does that feel to Nerida Moore, Screen Australia’s Head of Development?
Media Mentor Esther Coleman-Hawkins answers your career questions with brisk no-nonsense advice for screen professionals.
Screen executive Bill Gavin, known for some wonderful NZ films, cut his professional teeth in London and became a force in the expansion of Hoyts in Australia.
No less than four of the top ten in the industry-led popular top ten list rely heavily on a female audience.
If you could distill the absolute essence of cinema and watch it in the ultimate binge at home, you would end up with We are One: a Global Film Festival.
The official guidelines for an anti-viral screen workplace are now out. No surprises but a vital level of certainty.
Set in 1950s Australia around the Maralinga A-bomb tests, this satirical thriller from Peter Duncan is entertaining but takes a while to find its feet.
Aaron Burton looks at the TV projects created in response to COVID-19 locally, and around the world.
Starting on Friday 29 May, the New Zealanders are bathing in sessions about documentary craft and passion. Australians can join in, several hours later each day until June 1.
Ponder Warwick Thornton's six-part slow TV series on the biggest screen you can find, says Chris Boyd.
Choose from a rich selection of Indigenous film, TV and live events to mark this National Reconciliation Week #InThisTogether2020.
To mark National Reconciliation Week #InThisTogether2020 we dive into our archive to share some of the meaningful conversations along the reconciliation journey.
The battle for worldwide streaming supremacy looks like a fast-motion version of Westeros. Foxtel's latest deal gives it Binge, a new streamer which even has The Game of Thrones.
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