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Woman at War has an underground reputation among festival goers who saw it by accident. They are universally delighted. So is our reviewer Mel Campbell.
Bladerunner scribe tells all. And lots of other goodies.
Catherine Armstrong has been promoted to General Manager, Sydney as Dave Hollingsworth joins Spectrum Films as Executive Director
At its best when it’s getting goofy, this all-ages DC superhero effort just can’t maintain its spark.
A baby elephant stampede at the cinemas means you'll need this handy guide through the circus of kids' films on offer.
Has the Chinese industry broken into the richest genre of all? They would love to de-Americanise science fiction but that is a tough ask.
AFL star Adam Goodes, screen matriarch Freda Glyn, Juliette Binoche, Holliday Grainger, Dev Patel and a dog called Money glide onto the silver screen. It's SF 2019.
Victoria is building a new Creative Industries Advisory Group, and wants people working in all creative sectors to put themselves forward.
04 Apr 2019
Around The Web
03 Apr 2019
Territories good. Territories bad. But at least the EU continues to keep them alive as a part of the income toolkit.
Melissa McCarthy and Octavia Spencer will get a Netflix Superhero gig. Maybe normal is a superpower.
Even the Murdochs kept the Fox 2000 label. Disney turns out to be Dumbo without wings, and kills the org that made Life of Pi stone dead.
Chicago's Doc10 curator Anthony Kaufman picks Oscar contenders.
'Don’t give characters flaws that you don’t care about, that you don’t take seriously, or that you don’t think are fun.' Fancher wrote Bladerunner.
The criticism plaguing VR is that while it is great technology the content is dismal. Artists are pushing the form through new commissions at ACMI.
02 Apr 2019
Netflix is expected to spend $1.1 billion, or 11% of its overall original content budget this year, on animation.
Ewen Leslie and Emma Booth star in the 8-part series from Stan/Disney's ABC Studios, created by The Kettering Incident's Vicki Madden.
This World War II drama turns a distinctive slice of history into a clichéd and problematic love story.
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