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How would you describe home? A new AR project through RMIT is looking for rare and untranslateable words about place and belonging
This week in the box office, an object lesson in the value of perseverance in the face of underwhelming beginnings.
Expanding a UK business model, Krempelwood bids to back broadcasters in Australia by funding shows with media buyer money.
Rachel Okine is observant, strategic and numerate. Can she harness the energy of a screen generation in its prime?
Tight, inspiring initiatives in comedy, series and mobile. And Queer Screen's Mardi Gras, Transitions, Women in Film and a sadly treated film about happiness.
Australian filmmakers have something for everyone, however swooning or cynical you might be feeling.
By combining Nielsen and Oztam figures in January, we encounter the resilience of old-timey television.
Opinions & Analysis
What's going on behind the scenes at the Australian International Documentary Conference? Here's a glimpse of the working parts through CEO Alice Burgin.
Hope and grief simmer at the centre of two extraordinary live works by Indonesian filmmakers premiering at Asia TOPA.
Director Kasimir Burgess creates a surprising portrait of the controversial but celebrated cartoonist.
While we watch the culture warriors attack the ABC, the divisions in Britain are creating a toxic environment even at the audience level.
A solution-focused festival is more necessary than ever, says Daniel Simons who talks us through this year's highlights.
Aotearoa/New Zealand and Pacific Islander filmmakers are brought into the fold in 2020, with highlights including Jane Campion's celebrated shorts.
Author Melissa Lucashenko talks to ArtsHub about bringing her award-winning novel to the screen.
Who makes the continuity mistakes mocked later on the internet? It is not the diligent notetakers on location, who have a bunch of tricky roles.
Artists, administrators, producers and professors are braced for the full emergence of blockchain. Here are some basics.
The answer will (probably not) shock you. Let's look at the weekend's numbers, in the wake of a very surprising Oscars ceremony.
A South Korean fable about capitalism made history in a ceremony filled with songs, speeches and snubs to Netflix.
Go forth and hunt for locations, says SPA, to help areas now trashed by fire and drought.
Seeing reality cross over with sci fi in Stan's 'The Commons' was disturbing but not depressing for this apocalypse-shy viewer.
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