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Filmmaker James Ricketson, accused of spying by the Cambodian government, has been sentenced to six years in prison.
Australian rom-com The Flip Side gets a go in wide release, as Neighbours provides a cultural milestone and some great films wait quietly for your attention. Also some routine mid-range adventures.
Why is the internet collapsing as a source of information?
Craft is a global movement – it’s a human movement – and a new Festival of short film leverages our screen-based lives to encourage interest in the handmade.
QUT nabs US media scholar, Next Wave gets new Director/CEO, Lifetime Patrons for MTC, New Chair at La Mama, and more.
Maker of indy classic Winter's Bone has Leave No Trace, with good animation and Sherpa and The Daughter streaming. Along with a bonus blog to make your life easier.
Streaming and subscription services are rapidly colonizing the space where premium Australian drama gets made and watched. A quick run-down of what's being made by Stan, Foxtel and Netflix.
Netflix is drawing the local screen sector into its web. Here's some field notes on the evolving engagement.
All restraint gone as The Meg treats audiences like a cloud of burley in an underwater multiplex. Also, for the very last time, a season of Rake launches.
Laughter, great performers, fabulous script, pungent satire - it's the best kind of politics - a video to giggle your way towards the future..
MIFF, French comedy Dr Knock and Wrong Kind of Black head a lineup which also covers the Palace doc fest and the arrival of the Koreans.
Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation.
In the wake of what is being described as the poorest funding round in Australia’s history, the sector asks why.
This festival redresses the balance in where the state’s cultural conversations are held.
The Netflix model is getting a bit less monomaniacal as it feels the urge to be involved in production, just like everybody else.
Innovative Adelaide production company explores the temptations of episodes, and takes the audience from giggles to a gut wrenching finale.
Some tips on pitching - and a deep dive into death with the winner of Melbourne WebFest's Pitch iview Award, Anna Lindner.
While many New Zealanders love splatter, others are born to be mild. But everyone loves a well-sharpened knife.
From Purple Rain to The Exorcist, we ask several artists to pick a favourite film and share its creative impact.
Bits & Blogs
Carriageworks Director, Lisa Havilah says that building long-term relationships with artists, and ensuring they have a purpose, is key to the sustainability of an institution.
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