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Showing all Film news
Short, snackable, raw. Here are the takeaway bites on our plate right now.
Producer Lee Matthews has been watering the seeds of diversity with a short script competition. This is what happened.
The rising director talks about the challenges of documenting his hometown, and the mammoth race that obsesses him.
Replacing Claire Dobbin is philanthropy expert and social entrepeneur Teresa Zolnierkiewicz.
This week in the box office promises old school mysteries and frosty adventures. How did Australian films do?
First winners announced. More to come on Wednesday night with the televised ceremony.
Finding her way to a film career through a love of street art, this director gives good advice to others lacking the confidence of traditional pathways.
The death of Martin Armiger in his French paradise, surrounded by love, brings peace but a huge sense of loss.
IMAX production? HK legals change for screen sector, Alibaba uniquely creative advertising beats all obstacle.
Screenhub brings you this week's box office biz, from stoned teens to snow queens.
Diversity rules in musical styles, even between works by the same composer at the 2019 APRA AMCOS screen music awards.
Short, snackable, raw. Here are the takeaway bites on our plate this week.
Faith, drama and temptation spiced up Tait Brady's journey to make Suzi Q as an independent feature documentary. It is a mixture of faith, drama and temptation.
The Asia Pacific Screen Awards develop grunt and glam as they support the rise of trans-regional markets.
Judy and Punch dances, Two Heads Creek splatters, while Better Days survives abrupt disappearance at the hands of Chinese government.
Scorsese's latest is a paradoxical object – and not just because of its digitally de-aged cast, writes Adrian Martin.
It might not be groundbreaking, but this doco has the right kind of swagger and charm to pay tribute to the woman at its core.
This week at the Aussie box office we receive an object lesson in the disparity between commercial success and critical acclaim.
Australia has not one but two awards systems to judge films from the Asia-Pacific region, from both APSA and AACTA. How do they line up?
Streaming services, cinemas and the ultimate need to coexist.
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