National
The Railway Man: Teplitsky talks form and intimacy as picture hits the big screen
The Railway Man, directed by Jonathan Teplitsky, is now in the cinemas, fighting against an avalanche of American tentpole product.…
Girl Horror: five female directors grab horror by the balls and head for cannibal country
In news that’s been bubbling in the cauldron for a while, five female directors are developing an anthology of horror…
Screen Forever 2013: Beau Willimon, showrunner on House of Cards
What more can we ask for a final session? Mark Poole was inspired and fascinated. After all, producers aim for…
Viskatoons: screwed into a jar, floating across the world [repost]
Peter Viska's Viskatoons is a long term player in chlidren's animation, now marching across the Ten schedule with a little…
AACTA: Reflections on the 3rd AACTA nominations from a former insider, part one
Rochelle Siemienowicz is a screen tragic, a survivor of work at the AFI, and a generous but sharp observer of…
AACTA: Reflections on the 3rd AACTA nominations from a former insider, part two
Rochelle Siemienowicz reflects on the industry's passion for criticising its awards system, the tricky problem of honour television, and asserts…
Post Production: crucial questions to define our future, part 1
Post production is crucial - we all agree about that. is the sector going extinct? being sucked to death by…
Television Funding: NZ puts Australian system into turmoil
The NZ government has announced that its television industry will receive a 40% rebate, while the Australian industry is stuck…
Asian Television Market 2013: Singapore and the changing face of distribution
The nature of distribution is truly an international issue, as Dr O'D discovered at the Asian Television Market - where…
Post Production: Crucial questions to define our future, part 3
Dominic Case looks at the possible futures for his beloved post-production sector. For once, the argument is not about technology…