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AIDC 2016 - Oh My VOD!

From an international monster in training to our own cute little IView, here is a sketch map of the VOD…

Features

AIDC 2016 - Patchwork funding

International funding has driven growth in the documentary sector for a generation, but now it looks like a game of…

Features

What do Mad Max's six Oscars mean for the Australian film industry?

The answer to that question depends on how you think Dr George Miller fits into the Australian industry. Outlaw hero,…

Features

Screen Producers Australia - kitemark to calm combatants

Credits are a very important form of display for filmmakers, and SPA is trying to create a reliable system of…

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The Boy and the Beast

Rousing but not always riveting, this animated coming-of-age effort still remains enchanting, enjoyable and earnest.

Features

National ratings week of 29 Feb 2016 - the whole relentless grind

As usual Thursday looks ordinary as Nine snatches a win while the ABC will be happy but not delighted.

Features

Oscars 2016 - final notes from ScreenHub as Beavan triumphs

Technical triumph for Fury Road, in categories that don't figure in the main betting lists.

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Microbe and Gasoline

Michel Gondry infuses his distinctive sensibilities into an aesthetically restrained, thematically resonant coming-of-age effort.

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Visualising Story: Directors, Screenwriting, Storytelling Factual TV, Production Office 101 & More!

AFTRS Open courses this weekend include APPLIED STORYTELLING, INTRO TO SCREENWRITING and PREMIERE PRO. Next weekend there’s VISUALISING STORY (Ian…

Features

AIDC 2016: Mason lays out Screen Australia's survival strategy in dark times

Graeme Mason’s keynote address to AIDC 2016 signals a major crystallisation in its approach as program cuts loom.

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