National
Sharing secret producer business and staying realistic
Producers are 'in charge of the resources', in Andrena Finlay's neat but bland phrase. What does that really mean?
Box Office 22 October 2018 - A Star is Born to be chased away on Halloween
A strange moment with plenty to watch but sagging audiences as imported US holiday Halloween is set to dominate.
SAFC reveals history, tensions and successes of the sector in one story
Sunday Too Far Away restored, and a modest plaque for Gil Brealey brings the clans together to show how the…
Sue Austin's underwater wheelchair is a blow for freedom
The Adelaide Film Festival runs a remarkable underwater cinematic spectacle which turns disability inside out and upside down
What's on your screen: national fests rampant from zombies to Shakespeare
There's a lot on for the sharp eyed cineaste with no prejudices starting now and running for the next month.…
Secrets and Spies: an interview with Pine Gap's Felicity Packard
The writer and producer on the ABC/Netflix's spy thriller talks about trust, working with Greg Haddrick, and imagining conflict inside…
Opening Scene: enter new writers from beyond the mainstream
The Wheeler Centre partners up with SAFC to bring fresh unpublished works to South Australian screen producers.
Review: First Man
As much a space movie as a psychological drama, this Neil Armstrong biopic combines the visceral and the thoughtful.
Humanising the screen industry with statistics and a plan
Raising children in the screen sector is hard - but there are useful initiatives that see the industry in a…
Box Office 15 October 2018: too much of a good thing in cinemas?
Ladies in Black is coming down to earth as a lot of entertaining films do okay but meh business.