Australia
AACTA 2018 - the names we gossiped about all year
Glendyn Ivin & Bruce Permazel have Best Direction awards so far, while Belinda Chayko and the team of David Tranter…
Film Review: Normandy Nude
As French villagers contemplate disrobing for art and attention, this warm-hearted comedy endeavours to balance charm and cliché.
FILM REVIEW: Sorry to Bother You - high energy audacity
An over-the-top sci-fi comedy with a pro-union message, Sorry to Bother You is an audacious take on US race relations,…
Bitches, Fierce Femmes and Molls: in praise of difficult screen women
Why are the best female characters bad girls and anti-heroes? Our report on the juiciest panel at Screen Forever.
What's on Screen: Sorry to Bother you and Widows
We are waiting for next week, but a couple of smaller pictures are well worth a visit, as the Australian…
The great Netflix Screen Forever reveal
Television expert Gus Howard attended the sessions about Netflix like an ace detective. Here is his dossier.
Gus Howard on Screen Forever 2018: 'Australian niche and mainstream is going wide and it pays.'
As a veteran producer, Gus Howard brought a trained, practical eye to Screen Forever 2018. Here are his general observations.
Small Screen Highlights: TV, Streaming and Podcasts
Women are fighting behind bars in Wentworth, wrestling in GLOW and swiping right on Tinder in a YouTube comedy. We…
Review: Australia's Lost Impressionist – John Russell
Australia’s Lost Impressionist – John Russell (2017) is an enamoured documentary reminiscing on the life of an artist that time…
Brief: making sense of turmoil in Chinese production market
The Chinese are pumping out new regulations about foreign workers and productions which far outstrip our domestic controls. Will it…