Television
Box Office: The Reckoning goes digital as Felony and Predestination soldier on
Plenty to see on the crowded arthouse circuit though no Australians are pinning audiences to the wall.
The Way He Looks
Sincere performances assist in navigating what could have proven a routine adolescent offering.
I Can Quit Whenever I Want
The film probes European society’s new strata of over-educated, under-employed as it amusingly steps through the get-rich-quick solution du jour.
Legal Essentials, Developing Your TV Idea & Interview Skills @ AFTRS Open
There are still a few places in this weekend’s Sydney courses: LEGAL ESSENTIALS FOR FILM & TV and DEVELOPING &…
2014 Screen Music Awards: back, with Rob Carlton
The SCREEN MUSIC AWARDS will return with new host Rob Carlton and celebrated music director Ashley Irwin.
Sin City: A Dame to Kill For
With nothing more to develop in old protagonists and little flesh given to new figures, hostility and misogyny become the…
Wish I Was Here
A description that proved true of Garden State now matches Wish I Was Here, with Braff ostensibly remaking his own…
Brief: Busan's idea of books to be adapted
FYI - the Busan festival also runs a rights market for suitable print works. This is adaptation Korean style...
TIFF 2014: A Single Body hits the headlines
While the most obviously commercial of the Australian offerings caught star-driven attention, the dark short about two men in an…
MQFF Director to step down in 2015
Lisa Daniel has announced she will leave the Melbourne Queer Film Festival after 16 years as Festival Director.