Television
Screen Forever: how producers can storm Hollywood, gently
Agents, showrunners, Australian diffidence, hammering on the Hollywood gates - here's how producers get a Californian tan.
Box Office: Enter the Grinch to clobber Creed 2.
Launching the silly season is The Grinch, proving we are all now desperate for a happy ending in a world…
AACTA 2018 - the names we gossiped about all year
Glendyn Ivin & Bruce Permazel have Best Direction awards so far, while Belinda Chayko and the team of David Tranter…
Film Review: Normandy Nude
As French villagers contemplate disrobing for art and attention, this warm-hearted comedy endeavours to balance charm and cliché.
FILM REVIEW: Sorry to Bother You - high energy audacity
An over-the-top sci-fi comedy with a pro-union message, Sorry to Bother You is an audacious take on US race relations,…
What's on Screen: Sorry to Bother you and Widows
We are waiting for next week, but a couple of smaller pictures are well worth a visit, as the Australian…
Review: Australia's Lost Impressionist – John Russell
Australia’s Lost Impressionist – John Russell (2017) is an enamoured documentary reminiscing on the life of an artist that time…
Brief: making sense of turmoil in Chinese production market
The Chinese are pumping out new regulations about foreign workers and productions which far outstrip our domestic controls. Will it…
Bridget Ikin: interviewed in New Zealand
Bridget Ikin is a remarkable producer and we hope she inspires younger people in an industry caught between art and…
AFTRS Chief challenges sector with power of data
Data and diversity are central to the modern AFTRS approach, a long way from its modest and intuitive origins 45…