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War Horse

National Theatre Live's production of War Horse requires the audience to suspend disbelief in more ways than one.

Features

AIDC 2014: meet Netflix's little government friend, AUZflix

Are sales agents and distributors partners or parasites? Adam Smith has a special disintermediation ray which will blast us all…

Features

AIDC 2014: ABC storms digital frontiers with i-View triumphant

The rise of the web has put the ABC in a unique but uncomfortable position, in which it can use…

Features

Brief: Seven rules kitchen here, sets own cooks loose in London

While Seven produces in-house in Australia, it has set up another production company in London to go with its 7Beyond…

Features

AIDC 2014: Fast Forward at National Film and Sound Archive

In a series of sessions called Fast Forward Predictions at AIDC, Sandy George asked a variety of industry figures to…

Features

AIDC: ABC Factual – What We Like, and why everyone else should too

The national broadcasters seem to have abandoned clinical detachment as a way of dealing with passion, and embraced their inner…

Features

Madman: lunatics retake the asylum

To climax a tension-riddled week, Paul Wiegard and Tim Anderson have just announced that the deals are in place to…

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Violette

Martin Provost's sumptuous biopic about Violette Leduc spans the end of the Second World War to the thick of her…

Features

Tasmania and South Australia: after the election, what?

Tasmania and South Australia both go to the polls on Saturday March 15 and the screen industries in each state…

Features

AIDC 2014: ABC Factual on the march

Phil Craig, head of factual at ABC TV, has a fighter's passion for documentary, which he joyfully unleashed in support…

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