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Rolf de Heer - a chasm of difference between an Australian story and an Australian storyteller

Rolf de Heer is a remarkable filmmaker, Dutch born, probing deeply Australian stories, honoured internationally. Here he talks about the…

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Review: Beast, Revelation Perth International Film Festival

A taut character study as well as a psychological thriller, this superbly acted film examines beasts and beauty on several…

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Iranian cinema - sharply modern, fed by tradition

In art cinema land, Iranian films can be arresting, varied, mischievous and enigmatic. An email interview provides a glimpse of…

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Review: Skyscraper, Universal Pictures

Dwayne Johnson takes on the world’s tallest building, a sky-high fire and generic villains in this derivative action effort.

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F###ing Adelaide - six eps from a fascinating company

Innovative Adelaide production company explores the temptations of episodes, and takes the audience from giggles to a gut wrenching finale.

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Review: Funny Cow, POW Films

Women and comedy and the working men's clubs of England's north: not so funny but unforgettable.

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Dead Lucky: A Showrunner's Perspective

Do we have showrunners in Australian TV? Yes, says Drew Proffitt, co-creator of SBS series 'Dead Lucky', and it's the…

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What can the screen sector tell us about the future of work?

Screen Producers Australia tells Parliament about freelancing, creativity, the brain drain and the gig economy.

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One of many reasons we love the New Zealand screen sector

While many New Zealanders love splatter, others are born to be mild. But everyone loves a well-sharpened knife.

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What's On Screen: Jill Bilcock, The Second, Skyscraper and arthouse faves

Melburnians rush for festival tickets, lovely arthouse fare glows and Ella Havelka appears in a documentary streamed on SBS.

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