Australia
Oz the Great and Powerful
A wistful, warm but ultimately uneven attempt at continuing L. Frank Baum’s legacy, made 74 years after The Wizard of…
In the House
Celebrated filmmaker François Ozon has adapted Juan Mayorga’s play The Boy In The Last Row to create a reserved yet…
Mint Pictures: what to do with a sporting chance
Last Friday's announcement that All3Media’s subsidiary North One Television Australia has been carried off by its management in a buy-out…
SAFC: it is not possible to have a less surprising appointment
Judy Potter has an extraordinary range of arts management experience and board roles in Adelaide. She is on the board…
Brief: MEAA pushing like crazy for Offset increase
Echoing stories that Crean will announce an increase in the Location Offset to 30%, the Media Entertainment and Arts Alliance…
Great Expectations
The latest adaptation of Dickens’ oft-filmed tale features fine performances from an impressive cast, Helena Bonham Carter, Ralph Fiennes and…
5 Broken Cameras
A Palestinian farmer’s decision to document his son’s early years turns into a stunning first-person account of life under Israeli…
AIDC 2013: case studies in alternative finance
This session was one of the inspirational ones of AIDC 2013. Several filmmakers who are very used to traditional financing…
VFX Rebellion: US sector reaches breaking point, mounts odd online protest
Hollywood Visual Effects artists have finally exploded over a slew of industrial issues, are running a very digital protest, and…
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Looking to upskill in Factual TV? We have just what you’re looking for.‘INTERVIEWING SKILLS FOR FACTUAL TV’ will teach you…