Ari Mattes, University of Notre Dame Australia
Both appear as caricatures of Hollywood types. Anderson, directing his first major feature film comes off as a cocky MTV-generation director at loggerheads with one of the megastars of the 1970s, now ancient history.
Despite their evident humour, his films are usually received by critics as straight dramatic studies of larger-than-life characters rather than as black comedies. But this does Anderson’s ingenuity as a filmmaker a disservice. It’s the comedic core of his films that makes them so affective.
