AIDC 2013: ye olde complete guide to formats

Formats are a strong theme at this year's Australian International Documentary Conference. And if you have a format, and you want to strike a deal for it, what do you need to keep in mind?
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Formats are a strong theme at this year’s Australian International Documentary Conference. And if you have a format, and you want to strike a deal for it, what do you need to keep in mind?

You’d already know that formats are all over your TV screen. From Big Brother to Who Wants to Be Millionaire to Go Back to Where You Came From, formats (shows with “a framework which contains several clearly described elements that are combined in a unique way”) are TV mainstays. What you might not know is that worldwide in 2009, formats generated production worth € 9.3 billion (that’s with a “b”), or $11.8 billion. And that amount would only have gone up since then.

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Andrew Einspruch
About the Author
Andrew Einspruch has covered many conferences for Screenhub. His family production company has evolved into the story studio Wild Pure Heart, which is a vehicle for writing projects like his award winning humorous fantasy series, The Western Lands and All That Really Matters. He also helps to run a rescue farm and freelances as a technical writer.