Features
Ratings: Sunday, 28th July 2013
Nine demonstrates the killer lock - a popular realityy teev competition about real estate, along with the launch of another…
Books at MIFF 2013: turning out for The Turning
Robert Connolly wil mastermind the information flow about The Turning very carefully. This stage is mostly about negotiating the rights…
Cinematographers: they could be making trouble...
The cinematographers slipped shyly onto the SMPTE program to run two sessions which quietly revealed the flashpoints in a changing…
Ratings: Wednesday, 24th July 2013
Whiskers separate Seven from Nine just below, with a gap to Ten and the ABC another whisker under that. As…
Fury Road: the camera department reveals all
Although the fraught, obsessed crusade of Mad Max: Fury Road is defended by evil PR ninjas, genius cinematographer John Seale…
Ratings: Thursday, 25th July 2013
Is Matchbox happy with Formal Wars on 676,000? With Nine rolling out The Block and The Footy Show, it is…
MIFF 013: Michelle Carey reflects on the digital transition
Even though film festivals have gone digital, they are still fundamentally an analogue experience, according to Brisbane critic and writer…
Dr Ruth Harley: final address to 37South
Dr Ruth Harley, inaugural CEO of Screen Australia, is reflecting on five years of enormous change as she prepares to…
Wolf Creek 2: howling over the Venetian canals
Greg McLean will terrorise audiences at the 2013 Venice Film Festival, where the film will premiere. Tracks is accepted too…
MIFF 2013: a lot more light in the first night glitter
There were questions. I'm So Excited, by Pedro Almodóvar, seemed to be anything but, if overseas opinion held true. Would…