Features
MIFF 2013: a lot more light in the first night glitter
There were questions. I'm So Excited, by Pedro Almodóvar, seemed to be anything but, if overseas opinion held true. Would…
Jess Harris: lightness and humour as a theory of life
Twentysomething's Jess Harris makes it all seem so easy, until you stop and think about the hard graft of turning…
37 Degrees South 013: now a familiar, stable structure
For the seventh year in a row, the Melbourne International Film Festival is hosting the film market 37 degrees South.…
SMPTE 2013: why bandwidth will be your ultimate addiction
Will there be enough bandwidth? How is cost affecting the market? Will politics push us back into the stone age?…
John Brawley: a key figure in a new kind of cinematography
In the morphing of forms and careers between film, television, TVCs, the net and post production, John Brawley's camera work…
Better Man: truth is a tough watch
Khoa Do and Stephen Corvini discuss the production of Better Man - a cruelly true story about a doomed innocent…
Box Office: 22nd July 2013 - tracking Satellite Boy
Satellite Boy hangs on quietly, Gatsby pushes slowly ahead, while The Heat justifies its $US43m budget pretty well.
Screen Australia CEO: Graeme Mason steps into the whirlwind of change
Graeme Mason, currently the CEO of the New Zealand Film Commission, will be the new head of Screen Australia. He…
Brief: deeply legit cash flow fundsters entice Australian filmmakers to Sydney breakfast
Phil Hunt is a co-owner of Bankside Films and Head Gear Films, based in London. On behalf of the new…
TIFF: four Australian films announced
The Toronto International Film Festival has made its first announcements for 2013 covering 16 galas and 55 special presentations. Four…