Features
AIDC 2013: Storm Surfers and the wet lens competition
Storm Surfers 3D is the closest the sector has to a soap opera, as Firelight Productions shares the process over…
AIDC 2013: Indigenous Representation - Struggle, Survival and ‘Our Not Overnight’ Success
Tanya Denning, the Channel Manager of National Indigenous Television, gave a fine, reflective keynote just months after the free-to-air launch.…
AIDC 2013: Villagers gather erections in paradise
US-based Australian producer, Brian Armstrong (Red Rock Films) talks the modern art of not writing documentaries for the American networks.
Broadcasting Summit 2013: Marketing kitchens and dinosaurs, and discovering hidden talent
If the research is right on what people actually do when they watch television, digital communication and eating has entirely…
March of the Moguls: Conroy to loose the blight of media monopoly across the land?
The screen sector has been running its postcards campaign against some aspects of Conroy's alleged take on the Convergence Enquiry.…
Ratings: Sunday, 3rd March 2013
The Clipsal 500 gives Seven almost 700,000 sets of eyeballs, as its prize for driving the inhabitants of Adelaide -…
Brief: productive international fellowships on offer
The International Skills Institute Fellowships have worked well for filmmakers in the last couple of years, and a handy variant…
North One Australia: management buyout leaves Kay in control
All3Media has sold its Australian production arm, North One Australia (a subsidiary of North One Television), to Adam Kay, the…
AIDC 2013: Captain Ahab's Motorcycle Club
Making a film about the embalming and display of American President Abraham Lincoln is a little eccentric. Doubling Estonia for…
AIDC 2013: long tail, teaching old docs new tricks
Sustainability can take more than one form in the documentary business. For smaller players, the long tail of distribution is…