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Shock Horror: Savage the screen sector! urges Commission of Audit

The Commission of Audit wants the government to kick away some fundamental props in the Australian screen sector.

Features

Adelaide Film Festival: cunning commissioning plan for moving image artworks

The Adelaide Film Festival has created a national collaboration to extend its commissioning program of moving image artworks.

Features

Hugh Sullivan: The Infinite Man

The SAFC’s FilmLab is putting some serious runs on the board. The latest is The Infinite Man, directed by Hugh…

Features

Independent Cinemas Association of Australia 2014: TUGG gets an outing

TUGG stars at ICAA's two day conference, always a window into the nitty gritty of running cinemas at a time…

Features

MIPTV 2014: Hoodies keep storming the world metropolis

Nathan Mayfield opens up about Hoodlum. Even he probably doesn't really know why they are so successful.

Features

MIPTV 2014: Anatomy of a TV renaissance (Part 2)

Our favourite European sleuth chips away at All3Media, Cineflix and DCD Rights to find the limits to their loquacity.

Features

MIPTV 2014: Anatomy of a TV renaissance (Part 1)

Australian content is increasingly valuable at MIPTV. Our rep goes beyond the obvious in the first of two detailed parts.

Features

The Dressmaker: film sewn together

Kate Winslet and Judy Davis set to lead the cast in The Dressmaker, produced by Sue Maslin and directed by…

Features

Screen Australia: brains, democrats and a very appalling disaster

The international documentary tranche from Screen Australia gives comfort to independent producers with a yen to travel.

Features

MIPTV 2014: cherrypicking Aussie factual shows works well for Cineflix Rights

Cineflix has been a major purveyor of Australian and New Zealand TV content. And a successful one at that. But…

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