Features
Screen Forever: key names for 2014
More or less pinned down by meetings, SPA always has a lolly bag of overseas delegates for the market strand.…
Screen Australia: change and not-change in the documentary debate
The funding tactics have changed in the evolving documentary guidelines, but the internal logic remains remarkably stable.
Screen Queensland: local programs on a national stage
With contracts signed, Screen Queensland can settle into watching and waiting as its emerging practitioner solution gets under way
Box Office: Infinite Man cast into finite future
Infinite Man is a time travel film. Do you think it has only one screening which is flicking back and…
Tentpoles v The Rest: Boyhood, Captain America and the eternal child within
Boyhood or Captain America 2? What happens when we apply a bit of developmental psychology to the YA deluge in…
David and Margaret: the future is unwritten
With the Stratton-Pomeranz combo leaving at the end of the year, the ABC is presented with a conundrum. What next?
Screen Australia Documentary Guidelines: gets sensible, abandons alliteration
After the position document, and the first round of guidelines, and the opposition, we have the second and probably final…
AACTA: which features are doing combat?
This is the big Kahuna list for the AACTA/AFI awards next January. No obvious leaders, lots of contenders...
Box Office: The Reckoning goes digital as Felony and Predestination soldier on
Plenty to see on the crowded arthouse circuit though no Australians are pinning audiences to the wall.
Historic collections could be lost to ‘digital dinosaurs’
Australian’s cultural institutions must adopt more of a digital strategy if they are to remain relevant with audiences.