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Childcare, powerful decent men and quotas in film and television

Exactly why gender equality is so important. And how the campaign still illuminates our industry today.

Features

Is this the exhibition of the future…or just a web page?

How Vegemite-loving flies prompted the thong dress is just one of the stories in the NFSA’s first online exhibition.

Features

Documentary: guidelines debate in the face of a nasty future

Will the new Screen Australia guidelines be radically revised? In the face of a looming budget crisis? Do we plod…

Features

East Timor makes its first feature film

Luigi Acquisto and Bety Reis made Beatriz's War, building on their experiences from the making of Balibo.

Features

Rolf de Heer: Charlie’s Country

Charlie’s Country is the film which star David Gulpilil calls ‘my film.’ It won him a best actor award at…

Features

The Screen Industry Future: if we can only make it through the night

What if we have to abandon the territorial and time license system in a globalised business? Stop screaming, it doesn't…

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AFTRS: new degree for a new generation

The Australian Film Television and Radio School is now offering a three year undergraduate degree, starting in 2015.

Features

Sophia Turkiewicz: Once My Mother

Sophia tells of a hidden aspect of World War II in her very personal documentary.

Features

NZ and Australian TV stats: counting punters, measuring pirates

Ask the right question, get a fascinating answer. A game now played with TV audiences in both New Zealand and…

Features

Melbourne International Film Festival 2014: the scale is the thing

The MIFF launch: screen sector, festival politics, the deep passions of the city in the fake glam of the club…

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