Features
Oscars: Australia won. Yes. Definitely.
In our own little national battle to prefigure the Oscar results, our mighty land was surprisingly successful.
AIDC/NET-WORK-PLAY: Thom Powers into an overview
Thom Powers, key North American cinema documentary curator, kicked off the conference with his own vast POV.
AIDC/NET-WORK-PLAY: How to think in a blizzard of change
Ground zero for massive change was last year, said Philip Vafiadis - but we are well placed to survive.
How tech is disrupting the art world
Technology makes everyone a creative with a distribution network so where does that leave the professionals?
Net-work-play: launched with affection and a touch of contradiction
The launch of the 2015 gathering of the documentary clans turned into intense speeches, heartfelt thanks and a celebration of…
Super-commuters go the distance for arts jobs
Arts jobs are so sought-after some people travel two or three hours a day or take a monthly 20-hour flight…
How to sell yourself
In Australia, we're not so skilled at telling others how great we are. But as artists, musicians or creative practitioners,…
Children's TV: pride, pressure and prospects
Crisis in children's television? A new book covers the production dilemmas and the policy swamp.
What business models work for creatives?
When it comes to raising resources to fund creative work, if copyright is now a dud, what business models can…
AIDC/NET-WORK-PLAY: the future is happening all the time
On the edge of leaving, Joost den Hartog reflects on the issues driving his approach to the AIDC.