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Features

Low budget cinema? Just not greedy

Thrifty veteran filmmaker Paul Cox says he doesn't make low budget films. He is simply responsible and happy to undermine…

Features

Box Office for weekend of 9 August 2015

Australia catches a taxi to the suburban multiplexes as Icon holds the map.

Features

Working in Asia: A different sense of space

Appropriate museum display of Asian art requires an understanding of Eastern philosophy.

Features

Rise of the robot actor, crouching in your telephone

You want to sell your script? Leave it to your robot minions.

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Student sews up cinematic heritage

Elliot Schutz combines persistence of vision and a family passion for making Irish dancing costumes to create a sweet riff…

Features

Networks flinging pies in Federal Court over twinned cooking show

There's nothing like a good legal stoush to get the suits in a slow motion frenzy, and Nine has made…

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Documentary Ethics: a window into extremity

OzDocs explores documentary ethics and puts the lot on Youtube, creating a kind of documentary in itself.

Features

Books at MIFF: how The Dressmaker was adapted into a film starring Kate Winslet

The film of Rosalie Ham’s 2000 novel The Dressmaker will gain greater recognition for the author. EPA/TAL COHEN  The Books at MIFF event…

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MIFF 2015: 370 worlds cast loose on darkened city

The Melbourne International Film Festival launches immediately into deep stuff and defiant purity. Paul Cox takes the screen.

Features

Screen Australia: where to, after the exhibition crisis?

Film producers know the exhibition landscape is getting steadily worse. Screen Australia collates the figures to show why.

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