Features
Cannes - revisiting our accidental interview with a true cinematic hero
Ruben Östlund, who won the Palm d'Or at Cannes this year, has a fascinating way of working with actors.
The inner game of Animal Logic
From software IP to in-house creative development on international projects, Zareh Nalbandian inches forward like a steam engine in mud…
Armed with an education - but what then?
Do you need to go to film school? Maybe not, but here's ten ways to turn your education into a…
Vimeo gets more vim between toes of giants
As Vimeo sends a curator to the St Kilda Film Festival, we track its recent surprising evolution into SVOD and…
Defending kids' TV against evil plans to stifle sector
The frog has finally jumped out of the boiling pot and the growing crisis in kids' TV has gone public.…
Fifield drops bomb on media playing field
An enquiry into content quotas, the end of the license fee, the abolition of the two out of three rule…
Kim Dalton: how can we save the ABC from itself?
Unable to create true reform from within, former Head of ABC TV calls for new government mechanisms to ensure ABC…
American Indy films come with a laugh, a nod to the past and a blow to the throat
The American Essentials festival doing the rounds through May is curated by Richard Sowada, as a challenge and a temptation…
How to attract audiences: a radical rethink
Arts organisations are ‘snow blind’ with demographic data that fails to explain what really makes audiences buy tickets. There is…
Logies 2017 winners - the man with a unicycle has two statues
How do the Best and Outstanding categories line up at the Logies? Which production companies triumphed? Why the unicycle?