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Here’s the thing: chances are you are never again going to see another film even remotely similar to You the Living.
Crotchety. Curmudgeonly. Cantankerous. Clint. Throw ‘shotgun-wielding,’ ‘bile-tongued’ and ‘ass-kicking’ into the mix and you have both a plot summary of and a list of reasons to see Gran Torino, Eastwood’s first film serving dual duties as director and thesp since the Oscar-storming haymaker of 2004’s Million Dollar Baby.
How can a dramatised retread of a real-life story whose outcome is as fixed as the sinking of the Titanic circumvent the expectations of audience know-alls to arrive as one of the most surprising films of the year?
Waltz with Bashir is an animated documentary about memory and the way it can be suppressed to protect a person from the pain of the past.
Baz Luhrmann’s new blockbuster is an OK sort of film. It’s no masterpiece and doesn’t deserve to walk off with a haul of Academy Awards in its swag bag next February.
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