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Showing all news in Reviews
Spinning off from a Fresh Blood pilot, this comedy mocks the pretensions and self-righteousness of youth, and though the characters are awful they're not awful to watch, says Anthony Morris.
A deeply human love story about a trans deaf man and a queer musician. Naavikaran honours this independent film's ambitions, but questions some casting decisions.
Josh Lawson's time travel rom-com has charming leads and a gripping premise, but Mel Campbell wishes for a riskier script.
Three generations of a family grapple with living and dying on their own terms. Reviewer Mel Campbell found disconcerting shifts between hijinks and heartbreak.
Strong performances and well-developed characters ground this lush ABC series about mismatched foodies in the Adelaide Hills.
An enthralling addition to a new canon of films about historical injustice to our First Peoples, writes Sarah Ward.
Occupation: Rainfall is a blockbuster on a scale rarely seen in local productions, but don't expect all the threads to be tied up by the end credits, writes Anthony Morris.
Tracing a year on the frontline of Australian environmental activism, Sally Ingleton's documentary is most powerful in its portrait of youthful eco-warriors.
Documenting the rise of the legendary Polynesian record label in 90s' and 00's Aotearoa/NZ against a backdrop of racism, this is an important and entertaining film about culture and identity, says Sonja Hammer.
Naomi Watts is compelling in a story of resilience that sticks closely to the true account and to the formula for heartwarming family-friendly fare.
Sharp and sweet, the new Stan series from Kelsey Munro and Claudia Karvan is a quirky teen pregnancy drama in the style of Love My Way and Heartbreak High, writes Mel Campbell.
Fans of Jane Harper's blockbuster crime novel won't be disappointed by this faithful big-screen adaptation, but reviewer Mel Campbell wishes it went further.
Highlighting the cultural diversity of Australia’s gold rush years, this is also a well-crafted and highly entertaining genre film.
Tackling every absurdity 2020 has thrown our way from Trump madness to toilet paper bought in a panic, satirical media forces, Chaser Digital and The Shovel, came together for two livestream shows.
Stan's special feature about a crim on the run in a Santa suit fills a family-sized gap with rough and dusty charm.
The Bondi Hipsters return with 33 solid minutes of rapid-fire fun, says comedy connoisseur Anthony Morris.
Documenting the 14-year campaign for women's jobs in Wollongong, Robynne Murphy's film honours dogged perseverance and collective activism.
RMIT’s Capitol Theatre presented another online shared-while-apart cinematic experience with a screening of Spaceship Earth.
Monica Zanetti’s queer coming out comedy has echoes of Australian high-concept teen classics. It's a refreshing crowd-pleaser, says Glenn Dunks.
Tracing the evolution of a middle-aged housewife into a feminist porn star, this documentary marks the welcome crumbling of divisions between 'amateur' and professional filmmaking, says Adrian Martin.
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