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Showing all news in Reviews
Big in scale and emotion, this eagerly awaited sequel to Infinity War packs a sizeable (but safe) punch.
Sebastián Lelo's remake of his 2013 film is lighter, funnier and more subtle in its depiction of a woman's mid-life search for love.
Australian auteurs relish Tropic Gothic as it confronts flesh, memory and the blurred promises of sexuality. Adrian Martin examines Celeste and the work of Ben Hackworth.
He's new to Netflix but Lilley's latest comedy doesn't move far beyond poo jokes. Anthony Morris is not a fan.
Adrian Martin takes us into the cinematic joys and fumbles of Burning, and its icy cumulative drama created by ambiguity and unnerving doubt.
Updated with panache and hosted by horror maestro Jordan Peele, this version of the iconic series has been worth the wait, says Chris Boyd.
Rebooting this comic book hero proves an underdone, overblown slog.
Christian Petzold's stripped back melodrama takes not the slightest effort to recreate its World War II setting, yet it's all the more politically potent for that fact.
Tight, exciting and engrossing, this 8-part Amazon Prime series is superior in almost every way to the original movie, says Chris Boyd.
An ambitious and intoxicating trip into Tinseltown from the director who gave us 'It Follows'.
Woman at War has an underground reputation among festival goers who saw it by accident. They are universally delighted. So is our reviewer Mel Campbell.
At its best when it’s getting goofy, this all-ages DC superhero effort just can’t maintain its spark.
The famous outlaws hardly get a single close-up in this fascinating study of the rangers brought out of retirement to track them down.
This World War II drama turns a distinctive slice of history into a clichéd and problematic love story.
Spirited lead performances improve but can’t save this tear-jerking, formulaic rom-com.
The second season of Brit Marling's supernatural drama consolidates it as the epicentre of a new kind of screen story, for better or worse.
Our Gen Y reviewer is disarmed by this soap's nostalgia, yet finds it the most refreshing depiction of Australian life currently on TV.
Jordan Peele's follow-up to GET OUT is flawed but deeply unnerving.
Tackling the animated classic, Tim Burton’s live-action remake only soars in fits and bursts.
Director Vidal-Naquet's Sauvage is a strong disturbing and uncompromising showcase for its star Félix Maritaud.
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